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PREVIOUSLY IN OPERATION APOCALYPSE:
Future Publishing and I are not friends. Everything
started to go wrong in early 1998 - after I wrote a big
feature on emulation for the company's Edge magazine, its
then-editor Jason Brookes didn't manage to get round to paying for
it for over a year. (It was a massive piece of about 20 pages, so it
was a very substantial sum of money to be missing from my cashflow
for so long.)
Having tried repeatedly to get it paid, I finally had to go to
the Small Claims Court, in a case Future didn't turn up to contest.
Having lost the case by default, Future also failed to pay the
court-ordered judgement. Eventually I was forced to call up and warn
them that I'd be sending in the court's bailiffs to collect the debt
by force. This at last prompted Jane Ingham (wife of the then Managing
Director, and senior management herself) to send a courier round that
afternoon with a cheque. However, witnesses who were with her when
she got the call have testified that she flew into a blind rage at
these events, probably
planting the seed of the grudge the company has held ever since.
I then didn't work for the company for over a year, but was invited
by the editor of
Arcade to contribute features and a regular column to the mag in
1999. I was pleased to accept, but one of the features was then
substantially reprinted by a foreign edition of the magazine, which
was in direct contravention of the terms of my contract. Future
refused to uphold the terms of the contract, so I was forced to take
them to court again for the reprint fees that they owed me. This
time the company turned up to the hearing, but to no avail as the
judge found in my favour in a matter of minutes, and they had to pay
up.
Around about this time, I also discovered that Future had been
illegally reprinting some of my earlier work for PC Gamer on the
magazine's website. Once again they refused to pay the fees
stipulated by the contract, and I was left with no option but to go
back to court. Once more the judge found in my favour and made Future
pay the reprint fees. Amazingly, they continued to reprint the work
without the rights,
and had to pay the reprint fees (several thousand
pounds) twice more, before finally wising up and removing the work from the
website.
By now, Future's editors had unsurprisingly been instructed by the
management that they were no longer to offer me work.
(Unsurprisingly, that is, if you're operating from the assumption
that the firm's management were incompetent, petulant cretins who
didn't like having their ineptitude and cynicism exposed in court.
Future has a long and ongoing history of such bad treatment of writers, but most
of them meekly accept it in order to keep the work coming, hence the company
probably expected to simply get away with breaking its contracts.)
It was at this point that I discovered Future had also been
illegally reprinting my work on PC Gamer's cover CDs, infringing my
copyright on a staggering 900-odd separate instances and incurring a
very large sum in reprint fees. (In the vicinity of £250,000
according to the terms of the contract, though I never expected to
actually get anything like that sum.) After getting nowhere with the
company, bar one incredibly insulting offer of less that 2% of what
they owed me, I brought the case to court. But after losing several
hearings, Future's lawyers eventually managed to derail it on a
procedural technicality, having already spent far more money on
their lawyers than I'd have accepted to actually settle the matter.
Several years passed without further progress, during which Future
editors were forbidden from employing my services. However, when PC Zone
was bought by Future from Dennis Publishing in 2004, Zone's
editorial team extensively cleared my continued employment with their new
publisher in London. However, after two months of carrying on with
my regular Emu Zone and Indie Zone columns for the mag, this
decision was seemingly over-ruled by the company's head office in
Bath and my employment was terminated with immediate effect. (At the
time of writing - February 2009 - I remain blacklisted.)
At that point, with nothing left to lose and having painstakingly
gathered some vital evidence with the assistance of a few kind
souls, I decided to have a final shot at bringing the copyright
claim to court. This is the story of what happened next, in the form
of a private blog I maintained for my friends and colleagues so
that I wouldn't have to recite all the events separately a dozen
times on MSN whenever something happened, and now made publicly
available for the first time. |